KOYUNBABA SUITE PDF

The research methodology is based on the use of phenomenological, comparative, structural functional methods that allow expanding the horizon of cognitive search and extract key characteristics of studying phenomenon. Scientific novelty. The scientific novelty lies in the analytical and performance perspectives of the study of one of the central oriental guitar opuses of the modern Italian composer. For the first time in the Ukrainian musicology the work is considered in the discourse of aesthetics and traditions of playing Turkish folk music. There are distinct traces of orientalism coming from Turkish, Indian, Chinese musical cultures in the guitar art of Carlo Domeniconi.

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The research methodology is based on the use of phenomenological, comparative, structural functional methods that allow expanding the horizon of cognitive search and extract key characteristics of studying phenomenon.

Scientific novelty. The scientific novelty lies in the analytical and performance perspectives of the study of one of the central oriental guitar opuses of the modern Italian composer. For the first time in the Ukrainian musicology the work is considered in the discourse of aesthetics and traditions of playing Turkish folk music.

There are distinct traces of orientalism coming from Turkish, Indian, Chinese musical cultures in the guitar art of Carlo Domeniconi. The ties with the Turkish ethnos, the peculiarities of the eastern improvisational practice and the mores of playing the national instruments baglama, ud are the most prevalent.

The intonation and meter-rhythmic basis is based on the elements of the Turkish microchromatic modal system ussak and cargah makams and aksak-rhythm. Shibboleth authentication is only available to registered institutions.

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Koyunbaba: Suite for Guitar by Carlo Domeniconi

Carlo Domeniconi born 20 February [1] is an Italian guitarist and composer. Although his compositions include a wide variety of genres and instrumentation choices, he is best known for his works for solo guitar, and particularly the Koyunbaba suite. Domeniconi's style is characterized by his adoption of multicultural influences. His works explore and borrow from a wide variety of national traditions, including Turkish, Indian, Brazilian, and many more. Domeniconi was born in Cesena , Italy. He received his first formal guitar lessons in from Carmen Lenzi Mozzani, granddaughter of the famous guitarist and luthier Luigi Mozzani. Making rapid progress, he won first prizes at the Ancona International Festival of Guitar in and

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Koyunbaba, suite for guitar, Op. 19

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Koyunbaba, suite for guitar, Op.19

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