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Performers Alain Gach. Editor First edition. Plate Insufficient information from what's shown here on scan; see WorldCat. Musikalische Werke. Plate F. Mineola: Dover Publications , Originally scanned at about pi, converted to dpi monocrome. I provide the original scanned version and the filtered, because the filter does some changes smoothening, sharpening borders and some portions of the scan get lost sometimes when they are too small e.
You may ask me for a manually cleaned version. Neue Liszt-Ausgabe. Plate Z. Pub lisher. This file is part of the Sibley Mirroring Project. Scanned at dpi, cleaned with 4-point algorithm , additional manual cleaning, downsizing to dpi I uploaded the dpi version as well. Original pagesize and borders. Files include Liszt's originals. Wikipedia article. Books: Technische Studien , S.
It is in the key of G-sharp minor. This is illustrated by the large intervals of 16th notes in the right hand. The largest intervals reached by the right hand are fifteenths two octaves and sixteenths two octaves and a second. Sixteenth notes are played between the two notes, and the same note is played two octaves or two octaves and a second higher with no rest. Little time is provided for the pianist to move the hand, thus forcing the pianist to avoid tension within the muscles. However, the left hand studies about four extremely large intervals, larger than those in the right hand. For example, in bar , the left hand makes a sixteenth-note jump of just a half-step below three octaves.
S.141 Etude No. 3 La campanella (Allegretto)
Grandes études de Paganini, S.141 (Liszt, Franz)