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It is common knowledge that is the sign of the Antichrist. The three sixes have been printed on T-shirts, tattooed on biceps, featured in song lyrics and scrawled on walls. Phone numbers and licence plates that are randomly assigned with are sent back for revision. So potent is the fear of these numbers that Ronald Reagan, when he was President of the United States, had to change his triple-digit San Clemente address.

Forty years after writing The Omen, I wonder if I was selected by the forces of Evil, to make the world aware that The Beast is omnipresent in the land. My screenwriting, to date, had been limited to narration for documentary films, on subjects ranging from elephant seals to politics. I had won some acclaim for a theatrical documentary about insects The Hellstrom Chronicle and a minute television special on The Life of Robert F.

What I loved most about documentaries was that each time out, I learned something. Became an expert on something. And so I set my mind to figuring out what I could possibly learn in writing about Beelzebub. The Book of Revelation blew my mind — the mythology, the characters, the scope and, importantly, the stories, which were ridiculous flights of fancy, but told with such conviction that they seemed credible.

I could giggle all I wanted while writing it. So long as he kept a straight face, it would be real. But people screamed when they saw it happen in Jaws. It gave me the liberty to write something equally off-the-wall, with complete conviction. Okay, the world of politics. By deception — but not by the child or the Devil, but by Ambassador Thorn himself, who would lie to his wife that an orphaned foundling was their own newborn son.

And in the telling of that whopper, he committed what I call the Original Sin, which would bring his life to ruin. It is What I saw in it was a birthmark the original title was The Omen — Birthmark. Dramas and programmes to disturb and delight. In this animation Claudia Hammond explains that while we're scared, we're also learning. What is it about children in horror that is so chilling? As her friends seek a mysterious figure outside, Meggie, who's blind, is left alone Fright Night.

Main content. How I wrote The Omen — One of the scariest movies of all time. By David Seltzer. You must enable JavaScript to play content.

It's all for you" Owen Teale reads a terrifying moment from academy award-winning horror story The Omen. I want you to write one like that for me The Book of Revelation David Seltzer. Fright Night Dramas and programmes to disturb and delight.

Why do we enjoy being frightened? The top 10 spooky children What is it about children in horror that is so chilling? Preview: Jayne Lake As her friends seek a mysterious figure outside, Meggie, who's blind, is left alone Related Content Similar programmes By genre: Drama.

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How I wrote The Omen – One of the scariest movies of all time

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The Omen by David Seltzer, First Edition

Its plot follows Damien Thorn , a young child replaced at birth by an American diplomat unbeknownst to his wife, after their biological child dies shortly after birth; as a series of mysterious events and violent deaths occur around the family as Damien enters childhood, they come to learn he is in fact the Antichrist. A remake was released in In Rome , American diplomat Robert Thorn is told that he and his wife Katherine's newborn infant has died. Moments later, the hospital chaplain, Father Spiletto, urges Robert to secretly adopt an infant whose mother died in childbirth. Robert agrees, but does not inform Katherine that the child is not their own. They name him Damien. Several years later, when Damien is a young child, Robert is appointed U.

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